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            <title><![CDATA[Tony Cokes - Black Celebration (A Rebellion Against the Commodity)]]></title>
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            <description><![CDATA[Tony Cokes’s Black Celebration (A Rebellion Against the Commodity) attempts to read and understand the uprisings that took place in Black neighborhoods in Los Angeles, Boston, Newark, and Detroit in the 1960s. In Cokes’s words, “The intent of the ...]]></description>
            <content:encoded><![CDATA[<p>Tony Cokes’s Black Celebration (A Rebellion Against the Commodity) attempts to read and understand the uprisings that took place in Black neighborhoods in Los Angeles, Boston, Newark, and Detroit in the 1960s. In Cokes’s words, “The intent of the piece is to introduce a reading that will contradict received ideas which characterize these riots as criminal or irrational.” The subtitle of the work alludes to the economic conditions that underscore the experience and construct of race in America. Cokes suggests that the “race riots” that marked the 1960s were motivated by a frustration with the racist logic of capital. The rebellions that ensued throughout the country’s cities sought to rupture the social and economic value derived from Black labor and culture. Cokes’s video utilizes samples of text from Guy Debord, Barbara Kruger, Martin Gore, and Morrissey alongside edited newsreel and documentary footage of the riots. The texts and images are set to music by the industrial rock band Skinny Puppy.</p>
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            <media:title type="plain">Tony Cokes - Black Celebration (A Rebellion Against the Commodity)</media:title>
            <media:description type="plain">Tony Cokes’s Black Celebration (A Rebellion Against the Commodity) attempts to read and understand the uprisings that took place in Black neighborhoods in Los Angeles, Boston, Newark, and Detroit in the 1960s. In Cokes’s words, “The intent of the ...</media:description>
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